![]() The very fact that romantic thought had yet to take effect in society could be the reason why Young Werther was always at odds with society. His is a focus on instinct more than anything else. For example, Werther exemplifies the importance of creative genius and frequently endorses impulsion as a necessary part of artistic work. What is even more interesting is that this general tone is what led to the development of romantic thought in the future.ĭifferent parts of the novel keep mentioning attributes that can only be associated with the latter concept. Werther is highly personal even at a time when his society was immensely religious. Generally speaking, this narrative was written in a confessional tone. It is the fruitless reconciliation of the impulsive and sensitive to the society that makes Young Werther’s journey so powerful. Goethe writes his novel based on his personal experiences and those of another individual who lived during his lifetime. There is no doubt that the controversy in his book was attributed towards this romantic element as no one had ventured into this area before. It is essential to determine which elements of this work were responsible for these claims. Boylanįleursdumal.The author Goethe has been critically acclaimed for initiating romantic literature. The Sorrows of Young Werther (Die Leiden des jungen Werther) by J.W. For is not this anxiety for change the consequence of that restless spirit which would pursue me equally in every situation of life? ![]() Weary of liberty, he suffered himself to be saddled and bridled, and was ridden to death for his pains. Now and then the fable of the horse recurs to me. The minister has long shown a regard for me, and has frequently urged me to seek employment. Often impressed with this feeling I have been on the point of writing to you and to the minister, for the appointment at the embassy, which you think I might obtain. I often envy Albert when I see him buried in a heap of papers and parchments, and I fancy I should be happy were I in his place. Many a time and oft I wish I were a common labourer that, awakening in the morning, I might have but one prospect, one pursuit, one hope, for the day which has dawned. Once we give ourselves up, we are totally lost. I cannot think: I have no longer any feeling for the beauties of nature, and books are distasteful to me. I cannot be idle, and yet I am unable to set to work. ♦ What a misfortune, Wilhelm! My active spirits have degenerated into contented indolence. And when I feel for her in the half confusion of sleep, with the happy sense that she is near, tears flow from my oppressed heart and, bereft of all comfort, I weep over my future woes. In vain do I seek for her at night in my bed, when some innocent dream has happily deceived me, and placed her near me in the fields, when I have seized her hand and covered it with countless kisses. ♦ In vain do I stretch out my arms toward her when I awaken in the morning from my weary slumbers. The Sorrows of Young Werther (30) by J.W.
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